MIller Park

Man Tits En Bronze

STEVE BIERSDORF

This is the statue coronation speech I wanted to use, wrote and considered giving, but decided against in the end. There’s a good chance they’d have taken it the wrong way. It’s lovely that they do these things for me, and if I’d given this speech, well, they might not have appreciated the humor and I might’ve come across as ungrateful.

That’s why they love me. I wasn’t a great player and that’s my shtick, lovable loser, the self-deprecating quips, and I’ve been doing the radio play-by-play for thirty-plus years. That’s why they’ve made this hideous bronze statue that looks nothing like me. The other statues in front of the stadium are of great players, home run hitters, ace pitchers, heroes for what they did on the field, and so I’m different that way. I made my bones off the field, that’s why my statue will be the only one in front of the stadium not wearing a baseball uniform but a crewneck sweater and knit slacks depicted in bronze.

My name appears on the base of the statue and that’s the only way you’d know it was me because it’s a shitty likeness, a big, shitty-likeness statue of the team’s self-deprecating radio announcer who played briefly in this city, and not even for this team but for another franchise that used to play here until it relocated to a larger metropolitan area. And because I was on the Tonight Show and had a recurring role on a short-lived prime-time sitcom with a laugh track:

“Thank you, thanks (here I turn to my right and ponder the statue for a few seconds). First and foremost, I’d like to say that if you think I posed for this statue, you’d be mistaken. Does anyone know who did? Whoever he is, he needs to lay off the estrogen pills. Kidding, seriously, if I’m not mistaken this likeness was created from a surprise picture taken of me fresh from the men’s room. I’d just taken care of my business and my hands were still wet so I had ‘em in my pockets in case someone insisted on shaking hands with me, which happens often. People see me, they want to meet me and shake my hand, so this explains the pocket billiards.

“Yeah, so I’m just out of the men’s room and someone insists on taking my picture. I have to say it’s always a little intrusive, but especially fresh from the men’s room. This also explains the shit-eating, please-get-away-from-me grin, which in bronze makes me look like I don’t take very good care of my teeth. In fact, looking at this statue, I look like I might have lived in medieval times and some think I’m old enough. I’d suggest for future bronze statues with closed mouths only, otherwise shit-eating grin lends itself to a literal interpretation.

(Again I turn to the statue and ponder it)

“I’m glad I didn’t forget to zip up.

(More pondering)

“What struck me when I first saw this statue are the man tits.

(Here I’d expect mostly a silent, taken-aback reaction where a few people would laugh insanely, possibly some current players they’ve ‘invited’ to the ceremony. There’s a chance their laughter would be infectious, though I couldn’t be sure, and it’s largely because of this uncertainty that I scrapped this speech.)

“I can see it now. People approaching the stadium from the outer edge of the parking lot and they see me from afar, there by the stadium they’ll see my statue and they’ll know it’s me because of the man tits, which are prominent enough to see from that far away, and possibly from space. On a statue that size, those are some ample man tits. I’m really stacked. Fortunately for me, I’m a happily married man. Maybe some little boy a generation or two removed from now will look up at this father and ask, ‘daddy, who’s the guy with no hands and man tits?’

“‘Son, I do believe that was the first handicapped hermaphrodite to play in the major leagues.’

“At my age, man tits are inevitable. How many men over seventy have tight pecs? In fairness to the artist, the man tits are at least pushed up like I’m wearing a sports bra. So I appreciate that, firm man tits are preferable to unrestrained, droopy ones. I can’t help but think, generations from now, as being referred to as the man tits guy, ‘daddy, who’s the man tits guy again? What did he do?’

“And honestly, folks, I didn’t do very much. I have the best job in the world, the best seats in the house. Thank you for the tribute.”

At the Ballpark

STEVE BIERSDORF

The ballpark has a retractable roof with a giant glass greenhouse façade, giving it the look of a massive, self-contained biosphere. Our team is in the early stages of a rebuild, so if they lose today we can chalk it up to better days ahead. Every twenty seconds or so they play a short blurb of a song, “Wild Thing,” “Let’s Get It Started,” “Plush.” “Day-O,” daylight come and me want to go home. Turns out (google search) they have a forty-song playlist.  

Between innings a group of young men and women down on the field shimmy laterally to centerfield with a huge inflated sombrero upside down, with writing on it, presumably some local restaurant or restaurant chain. The inflatable sombrero and the sideways-moving legs of those carrying it resemble an immense and deformed crustacean scrambling desperately in search of a return to the sea, stuck and enclosed by the walls around the field and the leering, hollering masses.

Beneath mammoth ads for Southwest Airlines, Bud Light and Larry’s Shoes, above the Target bullseye logo plastered to the outfield wall, someone walks to the edge of the outfield stands with a much smaller inflated object I take for a replica of a pillow-sized taco, throws it in the general direction of the upside-down sombrero, the taco bounding off the brim of the sombrero and falling to the outfield grass, to the collective, unconvincing “awwww” of the stadium crowd. The leftfielder jogs out to his position, observing it all, pounding his glove with his fist with what can only be disdain.

A left-handed batter stands in and swings at a pitch like a blur, redirecting the blur, slower-moving and looping and askew and high into the glowing stadium lights. The ball is a small darkening object, a tiny pin-prick eclipse of the candlepower, rising impossibly high and on its descent angled straight for where we’re sitting. A man in the team regalia stands and the ball falls to him as if hit to him intentionally, or at him. He lifts his hands together to catch it, but it bounces off his hands with a meat-slap and skips to the row directly in front of us. As if the baseball is a priceless trinket dropped from the sky, something that if procured would inexorably alter the life of its new possessor, as one body and then another and another hurtle directly over us, diving headfirst, knocking us from our seats to our knees, spilling beverages. A pile of bodies in the row in front of us, a scrum, a compilation of legs and arms and torsos and grunts and jostling, and a woman walks up to the scrum, reaches in and magically produces the fouled-off baseball, holding it aloft, triumphantly, and the entire section erupts, as she turns and curtsies to the rows higher up.